A year before the odyssey of North America: Portrait of a Continent began, I drew another large map. Spanning from Pakistan to New Zealand, South Asia & Australasia took six months to complete and was foundational for my style.
Before the maps - life on the road
Young people feel great pressure to go straight to university after high school. For many it’s a good move, or even essential. But in some cases, giving your existing passions space to grow might be better.
I wasn't passionate about the restaurant industry, but I loved to travel. Back then, my primary passion was music. I had dreams of playing guitar across America - instead I'd found myself cooking brunch in Canada.
Isolation in Perth
I didn't know the answers. In the world's most isolated city, I felt isolated from my home, New Zealand. From my family in Melbourne. I felt isolated from my North American adventures, and from an exciting future. I fell into depression. I was battling serious health problems, working a high-stress job, and drinking too much.
A huge map, underway
And it was just so damn fun! For six months, I worked on it in my free time. I’d get home after a heated day in the kitchen, have a shower, crack a beer, and dive in. I drew it in my bedroom, and saw it the moment I woke. Before leaving to work each morning, I'd glance back at the map, longing to be drawing instead.
Finally, I reached New Zealand. A country whose coastlines and relief I could draw with my eyes closed. It’s very small on this map, so I couldn't fit much detail. But it was sublime to be illustrating my home country.
Map completed, time for a change
Re-imagining a map with Photoshop
Over the years labouring through North America, South Asia was all I sold. I retired prints last year to focus on the N.A. release, but also it didn't meet my standards anymore. Its myriad flaws - from the scribbly ocean to a rushed Asia – bug me whenever I see it. I still print it upon request, and people do like the original. Being the artist, I guess I'm the most critical. Still, before I ever run lithographs I want to upgrade it.
Finishing South Asia & Australasia... again!
The map took on a new character, but it isn't unfaithful to the original. All the organic noisiness of traditional art is a great asset when drawing digitally, and I try to use what's already there. While much I'm drawing is brand new, I take pleasure in moulding mountains and shifting labels. With the orangutan above, for example, it retains the same pose while also being transformed.
So we get to the present day. I’ve already redrawn the Indian subcontinent, SE Asia, the Philippines, and most of Indonesia. Still ahead are China, Taiwan, New Guinea, Australia, New Zealand, the Pacific Islands, the cartouche... and the ocean. The dust filter helped, but the ocean needs a lot more work. I may apply a bathymetry model to the map and get crazy. And without a doubt, there’ll be sea creatures!
After five years on North America, I hoped I wouldn’t start anything extensive yet. Instead I'm drawing two substantial maps at once. Nonetheless, I'm confident both will be ready in 2021. Still, when it comes to creating, the art itself often takes control and leads the way. You can try to bend it to your will, but it may not let you.
This might not be the fastest way to grow a product line, but it’s a purer way to learn. And so it is with adventure.
Thanks so much everybody, I hope you enjoyed this blog. You can see many more close-ups of South Asia & Australasia, and subscribe to be notified when prints are ready, right here.